This week’s mild obsession continues; playing with the IR modified camera. I know they’re more typically used for landscape-over-water shots, but there’s something intriguing me about the shifted colour, the slight wrongness to the light and dark on other sorts of images. Something about the way that until you process the image in Photoshop it’s just a dull blah, which makes it more ‘mine’ that a standard camera capture? The sensation that film-era photographers felt when they took negatives out of the developer perhaps.
135mm, 1/2000 sec, f/5, iso 200
A Little Art 