I’m not much for conferring, but practical workshops . . . yes please. This year the Photographic Society of New Zealand conference was held in Lower Hutt, a mere 40 minutes drive from where I live. Along with favourite genres like macro and nature, I took workshops in genres that are definitely off-brand for me. Specifically, fashion photography, complete with giant soft boxes and carefully posed trained models. I’m happy with what I managed to snap, and maybe I’ll try that sort of style for real. Although with faces that have a little more weathering and a lot less makeup. But having the fancy lighting, that is nice.
We are enjoying a ridiculous one month whirlwind tour of Italy, savoring the mid-winter no-tourist vibe. Weather-wise it mostly like pleasant spring weather at home. Genoa was a one-day stop on the way to Nice, but turned out to be packed with surprises, and it’s been marked as “next time and stay longer” on the imaginary travel planner.
After a busy day wandering through the quite fab aquarium and history of the sea museum my husband, ex-navy and with a marine biology degree was in high degrees of happy place (and okay, I was pretty happy too). On the way back to our accommodation we happened to pass a former palace now a museum (as you do in Italy), an hour or so before closing. The art was excellent, the galleries pleasingly empty, but just as we were about to head down stairs a guard suggested there was just time to take the lift to the roof. So, amazing unexpected views across the roofs of Genoa, at about 4.45pm.
Lesson for next time: must remember to put the pocket tripod in ones pocket, just in case.
This collection of anatomy waxes in Florence is one I’ve read about for years. The official website that I checked before leaving on m’big trip was somewhat discouraging, describing a complicated process involving a phone call to apply for a tour place, and implying that the collection would probably be closed when I was going to be in Florence, between Christmas and New Year, as it was part of a University-supervised collection. So I sighed, and resigned my self to only seeing all the other ridiculously astonishing art and palaces on display in this amazing city.
Then . . . we came across the collection somewhat accidentally, at the first museum we visited, The Museum of Zoology and Natural History, next to the Pitti Palace. I’d gone there with my husband to see the old taxidermied animals (we’re those kind of tourists), and noticed there were anatomical waxes, behind an iron grill. The lady at the front desk said oh yes it was the collection, and possible to visit with a guide today, should she put our names on the list? Oh yes. Photos were fine, although no flash of course. The thick old glass cases were a challenge to photograph through, although to the eyes, it was perfect. Amazing to see in the round, and to see the original dioramas in wax that inspired the whole project, astonishing little works of gruesomely gorgeous art by Gaetano Zumbo.
The colours have shifted since the models were made 200+ years ago at the behest of Leopold II, then Grand Duke of Tuscany. But still the work is all so delicate, so precise, so so so everything. Beautiful, art and craft serving science. There are several ‘Venus’ models, which I have seen in miniature in other medical collections, but here were the originals, as created by Clemente Susini, life size with long (real) hair, a string of pearls, and a belly made to be removed to reveal the inner workings of females (the glass case and angle meant I didn’t get a photograph, but there’s a discussion of them here).
There’s fine summary of the collection’s history in The Journal of Anatomy. The most complex models (for example of the lymphatic system) involved hundreds of dissections, conducted mostly on the bodies of criminals and ‘unclaimed poor’. Each finished piece is a testament to collaboration between skilled dissections, and skilled wax workers. The collection was also important for the public access that was permitted – any member of the public who was ‘clean’ was allowed to visit, it was the first public science museum.
The casual portrait group I go to more-or-less weekly is quite popular, and unless you get there very early, chances are good that the only seats left will be on the outer edges – but happily, I really like drawing an interesting profile! 2 hours or so on the Surface Pro, using Autodesk Sketch. And, so bold, I even tried a little colour this time around.
Baboons, despite being the most evil of all apes, are quite photogenic, with eerily human-like eyes and looks-like-a-smile-but-it’s-not mouths. Dithering about processing this chap, to colour swap or not? Either way, I’m glad that viewing glass at the zoo is thick, even though it does make taking photographs harder!
Photographed with the IR modifed camera, and a 590nm filter
Another version of that friendly smile
So, 20-27th October, stop everything else, it’s time for the annual Improv Festival in Wellington. This year I was one of the volunteer photographers, and also ran a workshop and co-directed a show based on that workshop, took a bunch of other workshops, got on stage, and had a most excellent time catching up with improv friends old and new. I saw some of my photos from festivals past blown up super large on walls about the town, which is an oddish thing. Here’s just a sample of some pictures from a wild week.