This week, the wrong side.
The friendly portrait group I draw with for a couple of hours most weeks is often nearly full by the time I arrive. This means the spots that have a full or three-quarter view of the model are usually all taken. I don’t mind at all. The very first drawings I remember being fascinated by enough to try and copy when I was a child were profile studies, by the likes Holbein, the Egyptians and Aztecs, and Regency silhouettes. I like drawing people in a way they rarely see themselves, but is so distinctly them.
However, I realised yesterday that I have a habit of usually sitting on the side of the room that gives me a left-looking profile. The only seat available yesterday was on the other side, and it was weirdly difficult to get my brain to drawn an accurate right-looking profile. So, note to self . . .